Wednesday, November 14, 2012

Poetry: Billy Collins, "Taking Off Emily Dickinson's Clothes"

While reading the new Writer's Chornicle, I came across a reference to this poem. I thought it was lovely, so I decided to share it with you all. It certainly evokes a more sensual view of Dickinson. It also playfully describes the searching feeling readers and scholars have when sorting through the many layers in her work, but also the layers of information about her as a person.

"Taking Off Emily Dickinson's Clothes"

First, her tippet made of tulle,

easily lifted off her shoulders and laid
on the back of a wooden chair.
And her bonnet,
the bow undone with a light forward pull.

Then the long white dress, a more
complicated matter with mother-of-pearl
buttons down the back,
so tiny and numerous that it takes forever
before my hands can part the fabric,
like a swimmer's dividing water,
and slip inside.

You will want to know
that she was standing
by an open window in an upstairs bedroom,
motionless, a little wide-eyed,
looking out at the orchard below,
the white dress puddled at her feet
on the wide-board, hardwood floor.

The complexity of women's undergarments
in nineteenth-century America
is not to be waved off,
and I proceeded like a polar explorer
through clips, clasps, and moorings,
catches, straps, and whalebone stays,
sailing toward the iceberg of her nakedness.

Later, I wrote in a notebook
it was like riding a swan into the night,
but, of course, I cannot tell you everything -
the way she closed her eyes to the orchard,
how her hair tumbled free of its pins,
how there were sudden dashes
whenever we spoke.

What I can tell you is
it was terribly quiet in Amherst
that Sabbath afternoon,
nothing but a carriage passing the house,
a fly buzzing in a windowpane.

So I could plainly hear her inhale
when I undid the very top
hook-and-eye fastener of her corset

and I could hear her sigh when finally it was unloosed,
the way some readers sigh when they realize
that Hope has feathers,
that reason is a plank,
that life is a loaded gun
that looks right at you with a yellow eye.





4 comments:

  1. Beautiful, thanks for sharing!

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  2. To be honest I'm not a huge fan of completely free verse (no rhyme or meter), but there is some lovely, captivating imagery here (especially the "complexity of women's undergarments" part) and I love the way he reworks lines from ED's poems. Thanks for sharing.

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  3. I like Billy Collins, he has some really rich language and images in a lot of his pieces.

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